Out Now:
rat wakes red/acres

Click here to preview "Paisley Parlour", "Crying Chair" and "Lights Out".

Cat#: RD005 Format: CD Price: $12.00 Tracks: 18

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Buy Acres from our website and we will add a free Weekend EP to your
order featuring the acoustic version of "So Much", track 14 on Acres.

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Acres reviewed by:

Jack Rabid, publisher of The Big Takeover, in its new special 30th anniversary issue:
James Raftery, AKA Rat Wakes Red (I still expect a hardcore band with that moniker, not a transcendently beautiful alternafolkie!), is not like modern solo artists with release diarrhea. He takes his time, crafts, plots, plans, processes, and perfects; Acres is only his third LP in 11 years (a couple of modest EPs helped plug the passing years), and together with crucial producer Jeral Benjamin, he bequeaths warm sonic gifts. 1999's more acoustic Dizzy on Daddy and 2005's more electric Horizon Drops were morsels of chamber-pop in the old 4AD aesthetic. This time, RWR has chosen equally resonant, persistent piano as his principal love bomb, plus copious strings (far beyond Benjamin's charming viola on Dizzy) among deep orchestral touches that delight the senses betwixt his earnest voice. Big T favorite Hannah Fury chips in sweet guest harmonies, completing a hell of a record, another lovely affair from this consistent pairing of artist and loyal producer.

Sentimentalist Magazine, July 11, 2010:
Rat Wakes Red may sound like the name of a punk band belting out three-chord, angsty anthems, but this act is quite the opposite, and the haunting, charmed surprise is partly what makes RWR, and their latest release, Acres, stand out. Singer/songwriter James Raftery creates orchestral pop with everything from piano swells to strings and viola, all given a crystalline finish by producer Jeral Benjamin. Voices, at the forefront, harmonize in blissed out states, backed with soothing lyricism that revels in its emotional core. Songs like “Crying Chair” stand out with an upbeat tempo and edge that bursts unexpectedly from its neo-classical base, while single “Always”, with added vocals by Hannah Fury, is a poignant toast to taking chances.


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